Systematic Surveillance and Using a Long-Focus Lens
5.45
The adoption of systematic surveillance and use of long-focus lens cameras to record
images of three artistes were the key issues considered by the Commissioner in his
investigations against Sudden Weekly Limited and Face Magazine Limited (the
magazines).
36
The images were published in the magazines depicting the daily life of the
artistes and intimate acts, with intent to be suggestive of their cohabiting.
The primary
issue before the Commissioner was whether the images (being the personal data of the
artistes) were collected by unfair means in the circumstances.
5.46
The Commissioner considered the following factors in his deliberations, namely, (i)
whether the artistes had a reasonable expectation of privacy in the circumstances of
being watched and photographed; and (ii) whether the publishers’ collection of the
artistes’ personal data involved any public interest.
5.47
For factor (i), while an artiste may welcome some publicity in public places or when
engaged in public activities, the Commissioner was of the view that he has a reasonable
expectation of privacy in his own home. It transpired from the facts that the photographs
were taken from a far distance and the artistes were at their places of residence which
were not easily visible to the public.
The photographs were taken over a period of days and some of the images were
captured at night. Although the artistes might expect that entertainment reporters
would take photographs of them, they would not reasonably expect someone to stay at
the site, night and day for several days to take photographs of them by means of a
long-focus lens camera. The Commissioner found the photographers’ act of prolonged
and systematic surveillance of the artistes’ activities inside their residences and the
shooting of the photographs of these artistes from a long distance by special
photographic equipment had seriously intruded upon their privacy. Intrusive acts of this
sort could only be justified on the grounds of overriding public interest.
5.48
For factor (ii), the Commissioner considered that the distinction should be drawn
between the acts of reporting facts capable of contributing to a debate of general
public interest and making tawdry descriptions about an individual’s private life. If the
reporting does not involve a matter of public interest and its purpose is merely to expose
an artiste’s private life, the media must collect the artiste’s personal data by fair and not
privacy intrusive means.
5.49
Having taken the above factors into account, the Commissioner found that the
magazine publishers’ acts (committed through their photographers) of collecting the
artistes’ personal data in the circumstances were unfair. The Commissioner emphasised
the importance of striking a proper balance between the freedom of the press and
privacy protection, referring to the judgment of the Eastweek case:
49. …. There is no such thing as unqualified freedom of the press or absolute right of the
individual. This is not a case of freedom of the press versus the right of the individual both
36
See Investigation Reports Nos. R12-9159 and R12-9164, available on the Website:
https://www.pcpd.org.hk/english/enforcement/commissioners_findings/investigation_reports/files/R12_9159_e.pdf https://www.pcpd.org.hk/english/enforcement/commissioners_findings/investigation_reports/files/R12_9164_e.pdf